Italy 20 Euro Gold Coin 2013 Renaissance
Coins of the Italian Republic: Flora in Art Series
Flora, the goddess of flowers and the season of spring.
The coin dedicated to Flora in Art focuses on Florence as icon of the Renaissance, cultural and artistic movement, which had its origin in the Tuscan city between the end of the Middle Ages and the beginning of the Modern Age, exerting a great influence upon society, culture and particularly on the figurative arts. The lily, typical symbol of Florence, and a detail from the Spring by Botticelli, depicting Flora, the personification of spring itself, are the representative figurative elements.
Obverse: the lily of Florence on a goods bale; around, a wreath of leaves, flowers and fruit, copy of the arms of the Tribunale della Mercanzia (Court of Goods), from a glazed faience of the 15th century by Luca della Robbia; around, between the wreath and the lily, “REPUBBLICA ITALIANA”; all encased in a dot-decorated frame.
Reverse: wreaths of flowers and leaves decorate the Spring of the homonymous painting by Sandro Botticelli (1445-1510), conserved at the Uffizi Gallery in Florence; around, from left to right, “FLORA NELL’ARTE”; on the left side, on two lines “20 EURO”, “R” and “A. MASINI”; below, “2013”; all encased in a dotdecorated frame.
TECHNICAL SPECIFICATIONS:
Denomination: 20 euro.
Metal: gold.
Fineness: legal 900 - tolerance ± 1 ‰.
Weight: 6.451 g - tolerance ± 5 ‰.
Diameter: 21 mm.
Finish: proof.
Designer: Annalisa Masini.
Mintage: 1500.
Edge: continuous milled.
Proof: € 366.
Primavera or Allegory of Spring by Sandro Botticelli
Primavera, also known as Allegory of Spring, is a tempera panel painting by Italian Renaissance artist Sandro Botticelli. Painted ca. 1482, the painting is described in Culture & Values (2009) as "one of the most popular paintings in Western art". It is also, according to Botticelli, Primavera (1998), "one of the most written about, and most controversial paintings in the world."
Most critics agree that the painting, depicting a group of mythological figures in a garden, is allegorical for the lush growth of Spring. Other meanings have also been explored. Among them, the work is sometimes cited as illustrating the ideal of Neoplatonic love. The painting itself carries no title and was first called La Primavera by the art historian Giorgio Vasari who saw it at Villa Castello, just outside Florence, in 1550.
The history of the painting is not certainly known, though it seems to have been commissioned by one of the Medici family. It contains references to the Roman poets Ovid and Lucretius, and may also reference a poem by Poliziano. Since 1919 the painting has been part of the collection of the Uffizi Gallery in Florence, Italy.
Renaissance
The Renaissance was a period in European history, from the 14th to the 17th century, regarded as the cultural bridge between the Middle Ages and modern history. It started as a cultural movement in Italy in the Late Medieval period and later spread to the rest of Europe, marking the beginning of the Early Modern Age.
The intellectual basis of the Renaissance was its own invented version of humanism, derived from the rediscovery of classical Greek philosophy, such as that of Protagoras, who said that "Man is the measure of all things." This new thinking became manifest in art, architecture, politics, science and literature. Early examples were the development of perspective in oil painting and the recycled knowledge of how to make concrete. Although the invention of metal movable type sped the dissemination of ideas from the later 15th century, the changes of the Renaissance were not uniformly experienced across Europe.
As a cultural movement, the Renaissance encompassed innovative flowering of Latin and vernacular literatures, beginning with the 14th-century resurgence of learning based on classical sources, which contemporaries credited to Petrarch; the development of linear perspective and other techniques of rendering a more natural reality in painting; and gradual but widespread educational reform. In politics, the Renaissance contributed to the development of the customs and conventions of diplomacy, and in science to an increased reliance on observation and inductive reasoning. Although the Renaissance saw revolutions in many intellectual pursuits, as well as social and political upheaval, it is perhaps best known for its artistic developments and the contributions of such polymaths as Leonardo da Vinci and Michelangelo, who inspired the term "Renaissance man".
The Renaissance began in Florence, in the 14th century. Various theories have been proposed to account for its origins and characteristics, focusing on a variety of factors including the social and civic peculiarities of Florence at the time: its political structure; the patronage of its dominant family, the Medici; and the migration of Greek scholars and texts to Italy following the Fall of Constantinople to the Ottoman Turks. Other major centres were northern Italian city-states such as Venice, Genoa, Milan, Bologna, and finally Rome during the Renaissance Papacy.
The Renaissance has a long and complex historiography, and, in line with general scepticism of discrete periodizations, there has been much debate among historians reacting to the 19th-century glorification of the "Renaissance" and individual culture heroes as "Renaissance men", questioning the usefulness of Renaissance as a term and as a historical delineation. The art historian Erwin Panofsky observed of this resistance to the concept of "Renaissance":
It is perhaps no accident that the factuality of the Italian Renaissance has been most vigorously questioned by those who are not obliged to take a professional interest in the aesthetic aspects of civilization—historians of economic and social developments, political and religious situations, and, most particularly, natural science—but only exceptionally by students of literature and hardly ever by historians of Art.
Some observers have called into question whether the Renaissance was a cultural "advance" from the Middle Ages, instead seeing it as a period of pessimism and nostalgia for classical antiquity, while social and economic historians, especially of the longue durée, have instead focused on the continuity between the two eras, which are linked, as Panofsky observed, "by a thousand ties".
The word Renaissance, literally meaning "Rebirth" in French, first appeared in English in the 1830s. The word also occurs in Jules Michelet's 1855 work, Histoire de France. The word Renaissance has also been extended to other historical and cultural movements, such as the Carolingian Renaissance and the Renaissance of the 12th century.